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ACTING WITH ADLER 

Limelight Editions, 2004
The figure of Stella Adler towers high among the memorable acting teachers in American theatre. Her methods of training, her principles of acting and character interpretation, her analyses of the seminal plays of the modern theatre comprise a legacy for everyone who followed her. In Acting with Adler, that legacy gains the special immediacy and authenticity of her own spoken words. Over three years in th1970s, Joanna Rotté worked with Adler as a student and as an actress under her direction, all the while taking the copious notes that have become the heart of this book.
Throughout, Adler speaks about her principles in a toughminded and demanding way, inspired by her overriding conviction that as a person an actorbecomes bigger through working. Acting with Adler provides an opportunity to sit in on the classes of this remarkable woman of whom her student Marlon Brando said, My debt and gratitude to her are enormous. As a teacher of acting, she has few peers. As a human being, few equals.

Reviews of ACTING WITH ADLER

“Fascinating anecdotes about Adler’s wit and style makes this book an entertainment to read….” – Choice

“Rotté’s account creates a vivid portrait of Adler as a consummate teacher and a complex woman….” – Theatre Journal

5.0 out of 5 stars

5.0 out of 5 stars

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SCENE CHANGE: A Theatre Diary

(Prague, Moscow, Leningrad)

Joanna Rotté
Limelight Editions, 1994

It was in April of 1991 that the delegation of 29 American theatre artists and educators had traveled to Eastern Europe to observe and experience the theatrical life of Prague, Moscow and Leningrad. Awaiting them was, of course, drama not confined to the stage. In Czechoslovakia the people, emerging from their Velvet Revolution, struggled fitfully to build a new state under a new president, Vaclav Havel, himself a man of the theatre. While in the Soviet Union, a society stumbled toward the precipice of collapse, and that snowy spring of 1991 saw a kind of rehearsal for momentous change that continues until this day.

Among the delegation was Joanna Rotté – professor, working actor and director; her journal, faithfully kept, has become Scene Change. It is a book of words and images, for Rotté’s observations are punctuated here by her own photographs. And it is a book that illuminates a theatre of tradition and innovation, describing in detail the many, varied theatre classes the author visited and the widely disparate performances she attended, from Josef Svoboda’s “miraculous” Minotaurus at the Laterna Magika in Prague to the outrageous musical satire Good-bye, America!!!, a send-up of the communist propaganda of earlier times, at the Moscow Theatre for Young Spectators.

The author’s sharp eye for the brilliant and truly modern as well as for the stale and retrograde in theatre training, performance and production is equaled by her vivid description of cities in flux: the choking pollution and congestion of Prague; the soldiers, trucks and artillery that crowd the streets to Red Square; the mixture of hope, distrust and unease that is everywhere in Moscow and Leningrad. Inside the legendary Russian theatres, houselights rise and dim, but outside, Joanna Rotté watches as millions unknowingly wait for a final curtain to fall.

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VISION: A Holistic Guide to Healing the Eyesight

Japan Publications, 1986

VISION describes in detail a way of cultivating a wholistic lifestyle aimed toward improving one’s eyesight. The basis is a workable program of eye exercises, nutrition, and breath control. VISION also advocates the practices of yoga and meditation, and offers help in their development.

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CHAPTERS IN BOOKS

EMBODIED WISDOM: The Collected Papers of Moshe Feldenkrais 
(editor Elizabeth Berenger)

Chapter 9: “Feldenkrais Revisited: Tension, Talent and the Legacy of Childhood”

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ACTING TEACHERS OF AMERICA: A Vital Tradition
(author Ronald Rand)

Interview: “Joanna Rotté/Saxon Trainor” 

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